Exhibitions
Lindokuhle Sobekwa: Heart of the garden, Goodman Gallery, London
South African photographer Lindokuhle Sobekwa’s first solo presentation in London titled Heart of the garden explores the multiplicity of place and identity. This new body of work reflects on the lingering effects of Apartheid with reference to his family history and his ancestral home in South Africa’s Eastern Cape.
Tue 2 Apr 2024 to Wed 8 May 2024
26 Cork Street, W1S 3ND
Tue-Fri 10am-6pm, Sat 11am-4pm
South African photographer Lindokuhle Sobekwa’s first solo presentation in London titled Heart of the garden explores the multiplicity of place and identity. This new body of work reflects on the lingering effects of Apartheid with reference to his family history and his ancestral home in South Africa’s Eastern Cape.
This story behind this body of work was motivated by an earlier project, ‘I carry Her photo with Me’, which is about the disappearance of my sister Ziyanda. As part of that project, I traced her footprints back to the Eastern Cape, exploring her earlier life in Tsomo and the surrounding area. Through this process I was able to reconnect with family and uncover a wider sense of my identity. However, I realised that this was also a place that I know very little about. - Lindokuhle Sobekwa, 2024
The presentation includes work from Sobekwa’s series Ezilalini (The country) which offers a reflection on the division between the rural and urban areas structured by Apartheid spatial planning; a deliberate system that still affects family structures and economic access today. This division is represented through his photographic journey from his birthplace Katlehong – a large township in the south-east of Johannesburg – to where his grandmother lives in Tsomo in South Africa’s Eastern Cape Province. The work unpacks the complex sense of spiritual longing and desire to reconcile psychogeographic dislocation that comes from being in a place where one exists out of forced familial fragmentation and systemic dispossession.
Lindokuhle Sobekwa (b. 1995, Katlehong, South Africa) is from a generation of South African photographers born after the first democratic elections of 1994. Through his participation in the Of Soul and Joy photography education programme in Thokoza in 2012, he realised that the medium of photography would be an essential tool to tell stories that concern and interest him.
Sobekwa exhibited for the first time in 2013 as part of a group show in Thokoza organised by the Rubis Mécénat foundation. His photo essay Nyaope (2014) was published in the Mail & Guardian (South Africa), in Vice magazine’s annual Photo Issue and in the daily De Standaard (Belgium). In 2015, Sobekwa was awarded a scholarship to study at the Market Photo Workshop. That same year his series Nyaope was exhibited in another group show, Free From My Happiness, organised by Rubis Mécénat for the International Photo Festival of Ghent (Belgium). The exhibition toured additional sites in Belgium and South Africa. A publication edited by Tjorven Bruyneel included a selection of works.
Sobekwa was selected by the Magnum Foundation For Photography and Social Justice (NYC) to develop the project I carry Her photo with Me. In 2018 he received the Magnum Foundation Fund to continue his long-term project Nyaope. In 2021 Sobekwa completed a residency at A4 Foundation in Cape Town, culminating in a two-person exhibition with Mikhael Subotzky titled Tell It to the Mountains. Sobekwa opened his first museum show in 2022 at Huis Marseille (Netherlands), featuring the body of work Umkhondo. Tracing memory as part of the summer programme The beauty of the world so heavy. His hand-made photobook, I carry Her photo with Me, was included in African Cosmologies at the FotoFest Biennial Houston (2020), curated by Mark Sealy.
Sobekwa’s work was shown at Goodman Gallery in March 2023 as part of the photography show Against the Grain, alongside Ernest Cole, David Goldblatt, Ruth Motau and Ming Smith. He was named an official member of Magnum Photos in 2022 and gave a lecture about his practice at TATE Modern in 2023 as part of his John Kobal Foundation Fellowship. He was also awarded the 2023 FNB Art Prize and as part of the award will have a solo show at the Johannesburg Art Gallery in September this year. His series I carry Her photo with Me will be published by Mack Books in 2024.
Elaine Cameron-Weir: A WAY OF LIFE, Lisson Gallery, New York
Lisson Gallery presents its inaugural exhibition with Elaine Cameron-Weir. Entitled 'A WAY OF LIFE', the show features floor-based and suspended sculptures, as well as wall-hung objects, that explore themes around tradition and subculture, conformity and self-definition, repeatable gesture and singular occurrence. Among the central subjects of the exhibition is the concept of end-times, as seen through personal mortality and revelation as well as the larger theater of historical change.
Thu 7 Mar 2024 to Sat 13 Apr 2024
508 West 24th Street, NY 10011
Tue-Sat 10am-6pm
Ingenious WomenWomen Artists and their Companions
Women were long barred from art academies (in Italy, for instance, until 1606). Hence, typically, women artists stemmed from artistic families, where they could acquire the necessary skills outside of official studies. Of Marietta Robusti, nicknamed La Tintoretta (c. 1554/55–1614), – daughter of Jacopo Robusti, known as Tintoretto, – we know that she accompanied her father on commissions at an early age prior to herself becoming a celebrated painter. Yet others had less good fortune and worked for their family members in secrecy. Still others were married into artist families. Of Rachel Ruysch (1664–1750), evidence indicates that her husband, painter Jurien Pool (1625–1666), not only encouraged her to paint, but that her still lifes even sold more than his. Rarer aspirants stemmed from a higher social class, as was the case with Sofonisba Anguissola (1532–1625). Trained by artist and master Bernardino Campi (1522–1591), she even received commissions from the Spanish court.
A joint endeavor initiated by the Bucerius Kunst Forum Hamburg and the Kunstmuseum Basel, the exhibition showcases works by eighteen women artists, contextualising them for the first time with those of their fathers, brothers, husbands and teachers: This series of focused juxtapositions, creative and thematic parallels and divergences are presented in truly fascinating form. Against the background of societal and familial milieu, Ingenious Women brings together portraits, history paintings, still lifes, drawings and graphic arts dating from the Renaissance, Baroque and Classicist epochs.
Kunstmuseum Basel, St. Alban-Graben 16, 4051 Basel, Switzerland
Exhibition Closes: 30 June 2024
Women were long barred from art academies (in Italy, for instance, until 1606). Hence, typically, women artists stemmed from artistic families, where they could acquire the necessary skills outside of official studies. Of Marietta Robusti, nicknamed La Tintoretta (c. 1554/55–1614), – daughter of Jacopo Robusti, known as Tintoretto, – we know that she accompanied her father on commissions at an early age prior to herself becoming a celebrated painter. Yet others had less good fortune and worked for their family members in secrecy. Still others were married into artist families. Of Rachel Ruysch (1664–1750), evidence indicates that her husband, painter Jurien Pool (1625–1666), not only encouraged her to paint, but that her still lifes even sold more than his. Rarer aspirants stemmed from a higher social class, as was the case with Sofonisba Anguissola (1532–1625). Trained by artist and master Bernardino Campi (1522–1591), she even received commissions from the Spanish court.
A joint endeavor initiated by the Bucerius Kunst Forum Hamburg and the Kunstmuseum Basel, the exhibition showcases works by eighteen women artists, contextualising them for the first time with those of their fathers, brothers, husbands and teachers: This series of focused juxtapositions, creative and thematic parallels and divergences are presented in truly fascinating form. Against the background of societal and familial milieu, Ingenious Women brings together portraits, history paintings, still lifes, drawings and graphic arts dating from the Renaissance, Baroque and Classicist epochs.
Kunstmuseum Basel, St. Alban-Graben 16, 4051 Basel, Switzerland
Exhibition Closes: 30 June 2024
Miniatures Conjure Delights
Miniature art is inherently delightful. It makes you slow down, take a closer look. For this show, museum curator Angela Green and micro gallery curator Elaine Luther have partnered to create a group show of 14 different solo shows – each one in a miniature box gallery.
The solo artists in this show are: Isaac Rafael Galvan, Rebecca Potts Aguirre, Elaine Luther, Alex Velázquez Brightbill, Aparajita Jain Mahajan, Dulce Rodriguez, Stephanie Capps Dyke, Kathleen Marie Garness, Nina Wood, Bryan Northup, Beatriz Whitehill, Gina Lee Robbins, Priscilla Perkins, Liberty Worth. Mel Kolstad’s work for this show is 365 miniature drypoint etchings.
The media represented in the show include oil painting, acrylic painting, quilts, upcycled sculpture, cyanotypes, polymer clay painting, photography, printmaking and illustration. Artists are from across the U.S., plus Canada and India.
Garrett Museum of Art
100 S. Randolph St., Garrett, IN 46738 United States
22 March - 05 May 2024
Miniature art is inherently delightful. It makes you slow down, take a closer look. For this show, museum curator Angela Green and micro gallery curator Elaine Luther have partnered to create a group show of 14 different solo shows – each one in a miniature box gallery.
The solo artists in this show are: Isaac Rafael Galvan, Rebecca Potts Aguirre, Elaine Luther, Alex Velázquez Brightbill, Aparajita Jain Mahajan, Dulce Rodriguez, Stephanie Capps Dyke, Kathleen Marie Garness, Nina Wood, Bryan Northup, Beatriz Whitehill, Gina Lee Robbins, Priscilla Perkins, Liberty Worth. Mel Kolstad’s work for this show is 365 miniature drypoint etchings.
The media represented in the show include oil painting, acrylic painting, quilts, upcycled sculpture, cyanotypes, polymer clay painting, photography, printmaking and illustration. Artists are from across the U.S., plus Canada and India.
Garrett Museum of Art
100 S. Randolph St., Garrett, IN 46738 United States
22 March - 05 May 2024
Camille Claudel
Celebrated for her brilliance during a time when women sculptors were rare, Camille Claudel was among the most daring and visionary artists of the late 19th century. Although she is remembered today for her dramatic life story—her passionate relationship with artist Auguste Rodin and 30-year internment in a psychiatric institution—her art remains little known outside of France. Including about 60 sculptures, this major exhibition seeks to reevaluate Claudel’s work and affirm her legacy within a more complex genealogy of Modernism.
Getty Centre
April 2 - July 21, 2024
Free
GETTY CENTER
April 2 - July 21 2024
The trailblazing French sculptor Camille Claudel (1864–1943) defied the social expectations of her time to pursue original and powerful explorations of the human form.
During that period, few women achieved celebrity in the field of sculpture, which, unlike painting or drawing, continued to be a largely male enterprise. Densely material, largely reliant on nude models, physically demanding, and bound up in male-dominated and politicized systems of state patronage, sculpture was not considered a polite art, and Claudel’s ambitions in that arena were transgressive. Her work prompted the critic Octave Mirbeau to famously exclaim, “We are in the presence of something unique, a revolt of nature: a woman genius.”
Featuring some 60 sculptures from more than 30 institutional and private lenders, the presentation gathers her key compositions—including Young Roman, recently acquired by the Art Institute—showcasing her remarkable technical ability and innovative creations across multiple genres and materials. These range from portraiture to large-scale allegories to scenes inspired by her keen observation of everyday life, and are made in terracotta, plaster, bronze, and stone.
Making Her Mark: A History of Women Artists in Europe, 1400–1800
Introducing new artistic heroines, Making Her Mark brings together more than 230 objects from royal portraits to metal work, ceramics, textiles, and cabinetry, to demonstrate the many ways women contributed to the visual arts of Europe.
Featuring the work of well-known artists Sofonisba Anguissola, Artemisia Gentileschi, Judith Leyster, Luisa Roldán, Rosalba Carriera, Rachel Ruysch, and Elisabeth Vigée-LeBrun alongside female artisanal collectives, talented amateurs, and women working in factory settings and workshops, the exhibition invites us to reconsider what we think we know about European art history.
March 30, 2024–July 1, 2024
Art Gallery of Ontario, Toronto Canada
Art Gallery of Ontario,
March 30, 2024–July 1, 2024.
Introducing new artistic heroines, Making Her Mark brings together more than 230 objects from royal portraits to metal work, ceramics, textiles, and cabinetry, to demonstrate the many ways women contributed to the visual arts of Europe.
Featuring the work of well-known artists Sofonisba Anguissola, Artemisia Gentileschi, Judith Leyster, Luisa Roldán, Rosalba Carriera, Rachel Ruysch, and Elisabeth Vigée-LeBrun alongside female artisanal collectives, talented amateurs, and women working in factory settings and workshops, the exhibition invites us to reconsider what we think we know about European art history.
Co-curated by Dr. Alexa Greist, AGO Curator and R. Fraser Elliott Chair, Prints & Drawings and Dr. Andaleeb Banta, BMA Senior Curator and Department Head, Prints, Drawings & Photographs, the decision to exclusively display objects made by women makes this exhibition unique, and among the first to put women makers of various levels of society in conversation with each other, across centuries and a continent, through their artworks.
Making Her Mark is co-organized by the Art Gallery of Ontario and the Baltimore Museum of Art.
Angelica Kauffman
Angelica Kauffman RA was one of the most celebrated artists of the 18th century. In this major exhibition, we trace her trajectory from child prodigy to one of Europe's most sought-after painters.
Known for her celebrity portraits and pioneering history paintings, Angelica Kauffman helped to shape the direction of European art. She painted some of the most influential figures of her day – queens, countesses, actors and socialites – and she reinvented the genre of history painting by focusing largely on female protagonists from classical history and mythology.
1 March - 30 June 2024
Royal Academy, London, UK
Royal Academy, London, UK
(The Jillian and Arthur M. Sackler Wing of Galleries | Burlington House)
1 March - 30 June 2024
Angelica Kauffman RA was one of the most celebrated artists of the 18th century. In this major exhibition, we trace her trajectory from child prodigy to one of Europe's most sought-after painters.
Known for her celebrity portraits and pioneering history paintings, Angelica Kauffman helped to shape the direction of European art. She painted some of the most influential figures of her day – queens, countesses, actors and socialites – and she reinvented the genre of history painting by focusing largely on female protagonists from classical history and mythology.
This exhibition covers Kauffman’s life and work: her rise to fame in London, her role as a founding member of the Royal Academy and her later career in Rome where her studio became a hub for the city’s cultural life.
See paintings and preparatory drawings by Kauffman, including some of her finest self-portraits, her celebrated ceiling paintings for the Royal Academy’s first home in Somerset House, as well as history paintings of subjects including Circe and Cleopatra, and discover the remarkable life of the artist whom one of her contemporaries described as “the most cultivated woman in Europe”.
Francesca Woodman Gagosian
Gagosian presents its inaugural exhibition of works by Francesca Woodman. Opening on March 13 at 555 West 24th Street, New York, it features more than fifty lifetime prints—many of which have not been previously exhibited—including Blueprint for a Temple (II) (1980), the largest work she accomplished.
Wed 13 Mar 2024 to Sat 27 Apr 2024
555 West 24th St, NY 10011
Tue-Sat 10am-6pm
Lydia Gifford: Low Anchored Cloud
Alma Pearl presents Low Anchored Cloud, an exhibition of recent works by British artist Lydia Gifford, her first with the gallery and in London since 2015.
Fri 15 Mar 2024 to Sat 13 Apr 2024
Unit T, Reliance Wharf, 2-10 Hertford Road, N1 5ET
Wed-Sat 12-6pm
Betty Parsons Alison Jacques, London
I’ve always been fascinated with what I call ‘the invisible presence’. The most permanent thing in this world is the invisible; you never get away from it.
Alison Jacques presents the second solo exhibition of the late American artist Betty Parsons (b.1900 New York, NY – d.1982 Southold, NY). This exhibition showcases over thirty years of Parsons’ practice, including paintings on canvas and paper and sculptures dating from 1950 to 1980, marking the first time an overview of the breadth of Parsons’ practice has been shown in London.
Wed 20 Mar 2024 to Sat 27 Apr 2024
22 Cork Street, W1S 3LZ
I’ve always been fascinated with what I call ‘the invisible presence’. The most permanent thing in this world is the invisible; you never get away from it.
– Betty Parsons, Interview reproduced in Judith Stein and Helène Aylon, ‘The Parsons Effect’, Art in America, 11 November 2013
Alison Jacques presents the second solo exhibition of the late American artist Betty Parsons (b.1900 New York, NY – d.1982 Southold, NY). This exhibition showcases over thirty years of Parsons’ practice, including paintings on canvas and paper and sculptures dating from 1950 to 1980, marking the first time an overview of the breadth of Parsons’ practice has been shown in London.
Learn More Here
Barbara Kruger: Thinking of You. I Mean Me. I Mean You.
American artist Barbara Kruger (b. 1945, Newark, New Jersey, USA) is widely known for her impactful work with images and words. Drawing from an early career as a graphic designer for magazines, Kruger developed an iconic visual language that frequently borrows from the techniques and aesthetics of advertising and other media. Since the 1970s, her artworks have continually explored complex mechanisms of power, gender, class, consumerism, and capital.
Serpentine South Gallery, London
Thu 1 Feb 2024 to Sun 17 Mar 2024
Kensington Gardens, W2 3XA
Tue-Sun 10am-6pm (Sat 10am-7pm)
American artist Barbara Kruger (b. 1945, Newark, New Jersey, USA) is widely known for her impactful work with images and words. Drawing from an early career as a graphic designer for magazines, Kruger developed an iconic visual language that frequently borrows from the techniques and aesthetics of advertising and other media. Since the 1970s, her artworks have continually explored complex mechanisms of power, gender, class, consumerism, and capital.
Catherine Goodman. New Works
For her inaugural solo exhibition in Los Angeles, London-based artist Catherine Goodman presenst a new series of monumental abstract paintings, marking a significant progression in the artist’s visual language. Goodman’s characteristically animated surfaces and energetic brushstrokes have long been signatures of her expressionistic landscape paintings, portraits and sketches. Now, as she moves into abstraction, the distinctive vitality of her art takes on a new, immersive power. Saturated in color and monumental in scale, Goodman’s newest paintings remain imbued with a longstanding connection to memory, place and the unconscious, that has shaped her art for many years.
Hauser & Wirth Downtown, Los Angeles
Tue 27 Feb 2024 to Sun 5 May 2024
901 East 3rd Street, CA 90013
Tue-Sun 11am-6pm
For her inaugural solo exhibition in Los Angeles, London-based artist Catherine Goodman presenst a new series of monumental abstract paintings, marking a significant progression in the artist’s visual language. Goodman’s characteristically animated surfaces and energetic brushstrokes have long been signatures of her expressionistic landscape paintings, portraits and sketches. Now, as she moves into abstraction, the distinctive vitality of her art takes on a new, immersive power. Saturated in color and monumental in scale, Goodman’s newest paintings remain imbued with a longstanding connection to memory, place and the unconscious, that has shaped her art for many years.
Every Woman Biennial - I Will Always Love You
THE WORLD’S LARGEST FEMALE AND NON-BINARY ART FESTIVAL The Biennial engages artists, through a democratic open call, to cross-pollinate with each other from a variety of mediums, generations, and racial and ethnic backgrounds. The salon-style exhibition features painting, photography, installation, sculpture, video art, textile, and multimedia works, activated by performance, dance, music, poetry readings, theater, and film.
March 1st - March 27th 2024
Location: 47 Great Jones Street,
New York, NY 1012
THE WORLD’S LARGEST FEMALE AND NON-BINARY ART FESTIVAL The Biennial engages artists, through a democratic open call, to cross-pollinate with each other from a variety of mediums, generations, and racial and ethnic backgrounds. The salon-style exhibition features painting, photography, installation, sculpture, video art, textile, and multimedia works, activated by performance, dance, music, poetry readings, theater, and film.
Mónica Alcázar-Duarte: Digital Clouds Don't Carry Rain
Affirming the value and survival of her ancestors’ indigenous knowledge, Mexican-British artist Mónica Alcázar-Duarte examines western society’s obsession with speed, expansion and resource accumulation at a time when ecological disaster looms. She raises critical questions – where does knowledge lie? Who and what is classified? – joining together the threads of dissociated knowledge systems.
The evocative photographs at the core of Digital Clouds Don’t Carry Rain are set amongst the dying trees of Derbyshire, home of the Industrial Revolution. In these self-portraits, the artist mimics poses from 18th-century Casta paintings, a genre of art that was used in Spain to illustrate colonial, racist social hierarchies – classifying mixed race individuals within a ‘caste’ system.
Attempting to make complex power structures visible, Alcázar-Duarte intervenes in her photographs. Masks covered in flowers reference both the emblems of empire and plants that are vitally important to endangered bees in the Yucatán. Copper appears throughout the works, a material extracted from Mexico under Spanish colonial rule which today continues to be used in cables as a carrier for the internet globally. Patterning formed by datasets scanned from the faces of the Casta paintings are juxtaposed against the fleur-de-lis: a symbol of the lily connoting monarchy and virtue, which was also used during the colonial era to mark enslaved people as a punishment.
Autograph, London
Fri 16 Feb 2024 to Sat 1 Jun 2024
Rivington Place, EC2A 3BA
Wed & Fri 11am-6pm, Thu 11am-9pm, Sat 12.30-6pm
Bitch Magic by Alma Pearl
Alma Pearl presents Bitch Magic, an exhibition curated by gallery founder Celeste Baracchi. The exhibition brings together a cross-generational group of women and non-binary artists who align with ‘the feminine’ and whose work offers radical feminist perspectives through themes associated with folklore, the magical, or the esoteric. The works in the exhibition span a variety of media–sound installation, performance, painting, drawing, photography and sculpture.
Alma Pearl, London
Fri 26 Jan 2024 to Sat 2 Mar 2024
Unit T, Reliance Wharf, 2-10 Hertford Road, N1 5ET
Wed-Sat 12-6pm
Uman: Darling sweetie, Sweetie Darling
Uman’s first exhibition with Hauser & Wirth takes place in London, in equal partnership with Nicola Vassell Gallery, NY. Uman’s ebullient visual vocabulary reflects her expansive cross-cultural experiences.
Born in Somalia and raised in Kenya, she emigrated to Denmark as a teenager and later to New York as a young adult. Now living and working in upstate New York, Uman paints lavishly detailed, opulently colored worlds replete with gesture, geometry and evocations of the sublime. While these works are executed primarily with oil paint, she also combines acrylic paint, oil stick and collage techniques.
An intuitive artist and voracious autodidact, Uman draws upon her memories of her East African childhood, rigorous education in traditional Arabic calligraphy, deep engagement with dreams and fascination with kaleidoscopic color and design. With nods to self-portraiture and fictional topographies, Uman’s paintings fluidly navigate in-between realms to explore both the physical and spiritual, intertwining abstraction, figuration, meditative patterning and a reverence for the natural world. Accompanying the exhibition, a public programme will engage visitors with key themes of Uman’s work.
Hauser & Wirth, London
Tue 30 Jan 2024 to Sat 30 Mar 2024
23 Savile Row, W1S 2ET
Tue-Sat 10am-6pm
Donna Gough, Solo Exhibition, Los Angeles
Australian born, Los Angeles based artist, Donna Gough presents new works at LAUNCH LA in the Miracle Mile district – in what will be her first solo exhibition in Los Angeles. The exhibition features a new painting series ‘YOU ARE’ - that began during a 3 month residency program in Berlin, 2023.
With this series of visualized geometric structures, Gough explores connections between the language of geometry and ideas of our very existence, with broad conceptual themes of ‘our place in space’ or ‘we are what surrounds us’.
When: March 9 - 30, 2024
Where: LAUNCH Gallery, 170 S. La Brea Ave, Los Angeles, CA 90036 USA
The Flesh of the Earth. Curated by Enuma Okoro
Hauser & Wirth New York presents ‘The Flesh of the Earth,’ a multidisciplinary exhibition curated by Nigerian-American writer and critic Enuma Okoro. Through work by artists Olafur Eliasson, Adama Delphine Fawundu, Jenny Holzer, Rashid Johnson, Haley Mellin, Cassi Namoda, Lorna Simpson, Kiki Smith, Pamela Phatsimo Sunstrum and Billie Zangewa, the presentation, in the words of Okoro, ‘encourages us all to consider ways of decentering ourselves from the prevalent anthropocentric narrative, to reimagine a more intimate relationship with the earth and to renew our connection with the life-force energy that surges through all of creation, both human and more-than-human. Our human bodies—one of a diversity of created bodies of the natural world—are the primary language with which we dialogue with the earth. By acknowledging that these varied bodies are always in relationship we reawaken our awareness of the quality of those relationships, considering where we may falter or harm, and also deepen our appreciation and recognition of our interdependence with the more-than-human world.’
Hauser & Wirth 22nd Street, New York
Thu 1 Feb 2024 to Sat 6 Apr 2024
Tue-Sat 10am-6pm
Sarah Grilo: The New York Years, 1962-70
Galerie Lelong & Co., New York presents a solo exhibition of works by Sarah Grilo, The New York Years, 1962–70, the late artist’s first with the gallery. Curated by Karen Grimson, the exhibition focuses on a pivotal period in the artist’s practice, charting the emergence of her distinct style fusing abstraction with language.
Galerie Lelong & Co., New York
Thu 8 Feb 2024 to Sat 30 Mar 2024
Tue-Sat 10am-6pm
Jennifer Guidi: Rituals
Rituals features a series of paintings that explore the sublime beauty of mountainscapes and the color spectrum. These carefully crafted compositions are not mere representations; they imagine elevated terrains inspired by the artist’s deep connection to nature and her personal and artistic rituals. Developed through repetitive actions and processes, each painting emerges as if from a meditative journey, manifested through Guidi’s investigations of color, form, texture, and material.
Gagosian 541 West 24th St, New York
Wed 17 Jan 2024 to Sat 2 Mar 2024
Tue-Sat 10am-6pm