Wangari Mathenge. Bedimmed Boundaries: Between Wakefulness and Sleep, Nicola Vassell Gallery, New York
Thu 5 Sep 2024 to Sat 19 Oct 2024
138 Tenth Avenue, NY 10011
Tue-Sat 10am-6pm
Nicola Vassell presents Bedimmed Boundaries: Between Wakefulness and Sleep, a new series of paintings and video installation by Wangari Mathenge in which she observes her own sleeping body in order to derive profound, personal insights into the nature of altered states of consciousness. This recent work depicts her experience of two particular psychological phenomena: hypnagogia, the transition from wakefulness to sleep, and hypnopompia, the transition from sleep to wakefulness. Amidst semi-lucid dreams, her senses distort, even merge, the physical and fantastical, incurring a heightened sensation of euphoria.
To develop the visual vocabulary of her hypnagogic and hypnopompic journeys, Mathenge began collecting textual and visual records; she arranged cameras in her home to film her late-night movements and kept a notebook to recount the details of her recent and recurring dreams. Through a series of self-portraits, she depicts her body in fluctuating states of repose across multiple, durational panels. She images her fluttering eyes and restless spasms as if windows into her subconscious with the curtains drawn-gestures that imply, rather than illustrate, her vivid hallucinations.
Mathenge is interested in subverting conventional associations with the body at rest, bringing expressive form to scientific research that reframes sleep as an activation of the brain - comparable to the metabolic stimulation the brain produces in consciousness. Citing recent studies by the neuroscientist Rahul Jandial, she considers rest a signifier of nuanced, abstract neural impulses that stimulate creativity, memory and situations unrestrained by the logic required for executive functioning. Through twisting and turning pictorial planes, boundaries between wake and rest are dismantled; in each image, she deftly collapses diametric poles of the same reality.
As the hours pass from panel to panel, her palette drifts from bright shades of yellow and green to deep tones of ochre and moss. While her paintings offer austere scenes of stamina, stillness and sleepwalking, animated brushstrokes infuse her domestic surroundings with enigmatic vibrations-swirling gestures that convey the uncanny experience of perceiving her ecstatic aura from a bird's-eye view. Cloaked in slumber, Mathenge's compositions are mesmerizing and perplexing-portraits of her mind as it pursues equilibrium between empirical and imaginary realms.
